HYPERALLERGIC
WILLIAM T. WILEY'S WILD ART LEGACY
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LOS ANGELES — A well-curated exhibition makes a fantastic art class, and a shining example can be found at Parker Gallery if you hurry over there before the current group show closes on August 6. Nothing Is to Be Done for William T. Wiley is two things at once: a roller derby of irreverent and energetic ideas, and a serious revelation about Northern California’s art historical significance. 

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The Southern California art scene is generally equated with the West Coast’s contribution to American mid to late 20th-century art, which is to say, deftly whipping the rug out from under New York’s high-minded Minimalism with a brew of conceptualism and humor. Familiar names in this arena include John Baldessari, Mike Kelley, Paul McCarthy, and Ed Ruscha. But there was enormous energy further north in the Bay Area, and a good chunk of it emanated from William T. Wiley, a founder of the funk movement, who taught at UC Davis in the 1960s and died last year.

SQUARE CYLINDER
BEST OF 2021
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William T. Wiley @ Hosfelt. The first posthumous exhibition of the artist’s work since he died on April 21 “exceeded all expectations,” wrote Mark Van Proyen.  With 13 paintings, mostly monumental in scale, the exhibition felt like a mini-retrospective, “chock-full of polymorphic modalities. In any painting, we might see a fluctuating emphasis between graphic and schematic organizations of space, resting on a precarious balance between imaginary cartography and fanciful description. And if that weren’t enough, the same works also feature a plethora of written notations, many taking the form of puns and phonetic spellings, reflecting on the quagmire of signification.”

THE POWER OF PUNS

"He is one of the foremost critics of America’s egotism and unsustainable way of life, expressing his critiques in beautifully and sharply rendered paintings and drawings. He is tenderer and less eruptive than Peter Saul, but his message is just as urgent, disquieting, and necessary to these addled, disjointed,

the rich-get-richer times."